Montag,
den 19. Oktober 2026

und >

ggfls. Kom. >

 

There are some other events proposed by the CF like
 « Hitler, un film d’Allemagne : nuit blanche sur piste noire

Und seance after  SAN DOMINGO

that should be discussed or replaced or followed by new visions like from St.Wasserman or Hiroshi Arai maybe separat on paper.

So we send again the program of the films 2003 >>> (Centre Pompidou) and Viena 2008 in german textes in the Kunst Halle. >>>

And we send the 2 pages of the digital Nossendorf Notbook of yesterday and today. To see the arragements textes plus pictures(if You need in better condition).


In Frankfurt dem Film Museum mit unserer Zusammenarbeit im Dez 2025

All this has with some reason at lot to do, 30 years after the last Monologues and with the coming back to N. 2000 and now 30 years of film-instalations /´Cave of memory/documenta X 1997 and N-Paris 2003) and the digit. notboock of that years in Nossendorf. A special trailer should not be without us. It exists something sepecial actual in Berlin (F. Schlaich).

The new version of that from here >>> 18.Okt.
is near that, of yesterday >>>> altern. Fass.
with the actual text-positions of the last films now.

1975 present by H.Langlois

Dear Mr. Bonnaud, I write  to You after certain questions without answers about important things how to present the films at the retrospective in the Cinematheque as there are shown in Centre Pompidou 2003(D.Paini) and the laste ones now called DemminCantos and Nightsong plus Prolog 2023-26.

The list from the CF of titles show them in a strange arrangement, without chronologigal or spiritual sense of content. But the last films should be in any case kept togetheter like

Prologue
Demmin Cantos 1+II
NightSong
and mybe with a documentation of the Welt-Urauff-Premiere in Sept. Moscou invitetd by Naum Klaiman, life from M. to Demmin.

This part is new and the centre now I think for this occasion and a final reason of all. So I would agree to offer the films before with the announcements from Centre Pompidou in french. But the new films should be prensent diffently with the voices where they come from now that means after seeing the filmes digital or in cinema and not in TV:

From Steve Wasserman/Berkeley
Hiroshi Arai Tokyo
David Davidovic Zagrab/Berlin
Moscou N. Klaiman
put together with the pictures that belong to the textes.


So was noch etwas lächerlich als"Dok Film" angesagt.

Heute sind wir da weiter.

Schon Lissabon nannten sie es

The german Epic.

Damals 1975 als das Manifest zu den Filmen in Paris, der Cinematheque, entstand, vor 51 Jahren, wussten wir, dass sie anders sein würden, der Musik ähnlich, und so zu beschreiben, zu präsentieren und zu erfassen, was wir sind und wozu dies alles ist.

 

 

 

 

today in N.